Your Humble Narrator has finally returned home to Santa Fe after an extended sojourn in the magical and misbegotten town of his birth, New Orleans of Louisiana. It was a productive trip for which the skyways were forsaken for the byways—specifically, an exhausting 17-hour drive, the primary feature of which was the state of Texas, which, through some woeful miscalculation or oversight, has been rudely placed betwixt and between the states of my procreation and primary residence. Be that as it may, one highlight of my time in New Orleans was a long-considered but oft-delayed pilgrimage to the gravesite of one of my primary musical heroes, Cecil Ingram Connor III, better known as Gram Parsons.

The Purple One has left the building. Unbelievable. At the age of 57 the sudden passing of Prince Rogers Nelson strains credulity in a year that has already seen the losses of David Bowie, George Martin, Keith Emerson, Glen Frey, Merle Haggard, Paul Kantner, Paul Bley, Phife Dawg, Pete Zorn, Nana Vasconcelos, Maurice White, Dan Hicks, Prince protégé Vanity, Frank Sinatra, Jr., Papa Wemba, Billy Paul, and Lonnie Mack. 2016 has been a tough year for music greats and it's only April.   In all honesty, as much of a shock as the loss of Prince is it didn't hit me nearly as hard as David Bowie's passing, artsy fartsy white boy that I am, but back in the '90s I was sufficiently inspired to record a minimalist Prince homage, ala Cream (the song is Prime Time Baby and can be found on the 'Music' page of this site). Whether you were tuned into Prince's groove or not, there's no denying that he was one of a very small, elite group of significant artists whose musical talent seems/seemed boundless—the true genius artists who write great songs, play a dizzying range of instruments, sing with expressiveness, passion and distinction, and know how to handle the technical aspects of the recording studio. It's a short list: Bowie, Paul McCartney, Stevie Wonder, Todd Rundgren, Prince... that's about all I can think of.

As I'm sure you're already aware, Gentle Reader(s), the great Sir George Henry Martin passed away last Tuesday at the age of 90 years. To all reports, Sir George's was a life very well lived. He was respected and beloved by a great many people, not the least of whom was a group of four lads from Liverpool whom Martin met at Abbey Road studios in London on June 6, 1962. After he signed the Beatles to EMI's Parlophone label George Martin went on to produce all of the group's albums, save for the last ('Let It Be,' for which he functioned in a production advisory capacity). Beyond his groundbreaking work with the Beatles, Martin was a key figure in the evolution of the professional recording studio from a stuffy, formal laboratory environment (which in Martin's early days still involved studio engineers wearing ties and white lab coats) to a venue for free form sonic experimentation and creativity. There are other producers who emerged from the 1950s and '60s whose names are as well known as those of the artists with whom they worked (Sam Phillips, Quincy Jones, Berry Gordy and Phil Spector), and some artist/producers whose visions for their own compositions incorporated the possibilities of the studio as a primary element (Brian Wilson, Jimmy Page, Todd Rundgren and Prince prominent amongst them), but George Martin was the true revolutionary. Be that as it may, it took time for the full measure of Martin's contributions to become acknowledged: In the Beatles section of the first edition (1976) of the epochal 'Rolling Stone Illustrated History of Rock & Roll' George Martin doesn't even merit a mention.

Sometimes it's difficult to know exactly how much someone means to you and how much impact they've had on your life until they're no longer there. Unlike, say, the Beatles, I can recall a pre-David Bowie world. Therefore, I can say without reservation that the world was a much more interesting place with David Bowie in it. Now, sadly, we are in a post-David Bowie world and I am all too acutely aware of how much he meant to me. It would be cool to be able to relate some sort of direct, personal account of Bowie but, alas, I have none. We were once in the same room together, albeit quite a large room, and some people that I know knew him, rather well as it turns out, but for better or worse I never met the man.