03/15/2016

As I'm sure you're already aware, Gentle Reader(s), the great Sir George Henry Martin passed away last Tuesday at the age of 90 years. To all reports, Sir George's was a life very well lived. He was respected and beloved by a great many people, not the least of whom was a group of four lads from Liverpool whom Martin met at Abbey Road studios in London on June 6, 1962. After he signed the Beatles to EMI's Parlophone label George Martin went on to produce all of the group's albums, save for the last ('Let It Be,' for which he functioned in a production advisory capacity). Beyond his groundbreaking work with the Beatles, Martin was a key figure in the evolution of the professional recording studio from a stuffy, formal laboratory environment (which in Martin's early days still involved studio engineers wearing ties and white lab coats) to a venue for free form sonic experimentation and creativity. There are other producers who emerged from the 1950s and '60s whose names are as well known as those of the artists with whom they worked (Sam Phillips, Quincy Jones, Berry Gordy and Phil Spector), and some artist/producers whose visions for their own compositions incorporated the possibilities of the studio as a primary element (Brian Wilson, Jimmy Page, Todd Rundgren and Prince prominent amongst them), but George Martin was the true revolutionary. Be that as it may, it took time for the full measure of Martin's contributions to become acknowledged: In the Beatles section of the first edition (1976) of the epochal 'Rolling Stone Illustrated History of Rock & Roll' George Martin doesn't even merit a mention.
02/16/2016

This eagerly anticipated installment of the one-and-only Matador Playlist blogg represents an excursion into unexplored and potentially exciting terrain, Gentle Reader(s): Live (sort of) blogiating from the 58th Annual Grammy Awards, presented on the Tiffany Network, CBS, this very evening. The Grammys are usually held on a Sunday but considering that yesterday was both Valentine's Day and the night that new episodes of Downton Abbey air, the brain trust behind the primo music awards ceremony decided not to compete with the distractions of unbridled shagging that Downton Abbey inevitably inspires and put the Grammys off to the following night. The Dowager Countess of Grantham would doubtlessly approve.   Okay, here we go.
01/14/2016

Sometimes it's difficult to know exactly how much someone means to you and how much impact they've had on your life until they're no longer there. Unlike, say, the Beatles, I can recall a pre-David Bowie world. Therefore, I can say without reservation that the world was a much more interesting place with David Bowie in it. Now, sadly, we are in a post-David Bowie world and I am all too acutely aware of how much he meant to me. It would be cool to be able to relate some sort of direct, personal account of Bowie but, alas, I have none. We were once in the same room together, albeit quite a large room, and some people that I know knew him, rather well as it turns out, but for better or worse I never met the man.
01/12/2016

Ah, dear and Gentle Reader(s), I am returned from an extended hiatus from the posting of ruminations and lists of play upon these pages. The reasons for this extended silencio are various and sundry, but included amongst them are a) travel, b) more travel, c) distraction, d) physical malady, and e) (most dreadfully) f) deficit of inspiration. The travel is not a problem but whenever I think I'm going to get some writing done on the road I typically find that I am sorely mistooked. That's where the distraction comes into it—too much other stuffe to do and think about. The holidays snuck into the mix somewhere around the 25th of December as they are wont to do, and upon that very selfsame evening, right smack in the middle of Birthday o' Jebus observations, a rather dreadful throbbing began to manifest itself in the region of an upper right pre-molar, the lower portion of which had decided to bust a move for the Great Outdoors back in September (quite possibly inspired by a fairly dull Keith Richards documentary I had been watching on Netflix). The throb evolved into a mindbendingly dreadful pain that had Your Humble Narrator stumbling and mumbling about in a humble little mumble circle in his living room, groaning in agony—a state of affairs that continued intermittently throughout Jebus Birthday weekend. Timing, as is oft noted, is everything, and in this case the timing could scarcely have been worse. I survived till Monday when good Doctor Doug Reid was able to extract the offending article with dispatch, ending my holiday weekendus horribilis. It is said that if it don't kill you it makes you stronger and I am feeling quite strong at the moment.
11/18/2015

Gentle Reader(s), since the last installment of this weekly-ish report from the trenches of Santa Fe musical subterranea I have once again ventured to and from the land of my birth, the city that puts the 'Id' into 'Humid,' New Orleans. The day before my impending departure I woke to the sad news that a true titan of the city's music scene—the great Allen Toussaint—had passed away suddenly following a gig in Madrid. There are few passings that could shake New Orleans to the core quite like the passing of this extraordinary man. He was an integral part of the city's rich cultural life for 60 years, starting off as a fill-in sideman in Earl King's band in 1955. Toussaint was a pianist, vocalist, composer, producer, arranger, and musical ambassador for his native city, but above and beyond all that, to all reports (and I have heard a few) he was a lovely, humble, soft spoken person and a true gentleman. Toussaint didn't shy away from stepping out in a bit of boldly colorful couture once in a while and his trademark about town was his succession of Rolls Royces, but he was a down-home guy and absolutely not a single person that I have ever spoken to has ever had a bad word to say about him.
08/19/2015

La Ciudad Real de la Santa Fe de San Francisco de Assis is not a town that suffers from any lack of fascinating, unusual and talented people. Over the course of the past 180 years or so (give or take a decade) New Mexico at large has earned an enduring reputation as a mecca for creative types and eccentrics of all sorts. The list of painters, sculptors, printmakers, photographers, musicians, artists of the folk, dancers, writers and nut jobs that have called the place home over the years presents an impressive roster indeed. Starting with the likes of John Mix Stanley (circa 1840s) to the Meow Wolf collective (circa present and future), the artists have come to this place, drawn by whatever unique combination of physical, metaphysical and ineffable intangibles are manifest in this place, variations upon which have drawn people to places such as this place for as long as people have been drawn to such places as this. Or words to that effect...
04/06/2015

Ah Gentle Reader(s), tis Easter time again. The blooms is bloomin and the trees are leafin and the sparrows are nesting once again beneath the eaves of the Inky Aerie. And, in keeping with seasonal tradition, Your Humble Narrator looks forward to sitting down in front of le Boîte Idiot this evening for the annual communion with The Ten Commandments (see my post of May 2, 2014). This is my personal observation of Holy Week—somewhat less strenuous than crawling on hands and knees to El Santuario de Chimayo, but then YHN is not particularly inclined in the direction of any organized religious observance. Or, for that matter, disorganized religious observance either. I watch The Ten Commandments at Easter time and It’s A Wonderful Life at Christmas time (see 1/1/15) and spend the rest of the year pondering the profound spiritual implications of both. Therefore, I feel as though I’ve got my bases covered (especially as Easter Sunday is Opening Day for the 2015 baseball season—how much spirituality can one person handle in a single day??).
03/21/2015

On one hand, Spencer Tweedy likely requires little in the way of introduction. If you know of his father, Jeff, and his work you probably have a pretty good idea of where Spencer is coming from, aesthetically speaking. He lives in Chicago, turned 19 in December of last year, and is currently on tour with his dad and their band, Tweedy, in support of their album Sukierae which was released in September.   On the other hand, considering Spencer merely as adjunct to his father and his father’s career does not, of course, give him the credit he very much deserves. Spencer is much more than Jeff Tweedy’s son, cool though that may be. He is a very thoughtful and articulate young man whose precocity you can sample at his blog where he posts photographs, essays, video clips and music. (Sounds somewhat familiar… but despite his youthful years he’s been at it for quite a while longer than Your Humble Narrator.) In addition to Tweedy, the band, Spencer has a variety of other musical involvements and I can assure you that they are definitely well worth a listen. His album with the Blisters, Finally Bored, resides very happily on YHN’s iPod and the song Own It by the Raccoonists (Jeff + Spencer + younger brother Sammy) enjoys steady rotation on the DJ Inky playlist.
02/23/2015

Your Humble Narrator had the distinct pleasure today of interviewing Spencer Tweedy. The purpose of the interview was to provide an advance romance article for a forthcoming concert (March 26 at the Lensic, to be exact) featuring Spencer and his dad—a chap you might have heard of by the name of Jeff. The Tweedy boys are on tour in support of their excellent album Sukierae, released late last summer, to be followed shortly thereafter by Jeff returning to the road with Wilco for spring dates.
12/22/2014

Alas, Gentle Reader(s), it saddens me that it is tribute time once again at inkyinkinc.com. As I have noted previously, there has been a steady string of tributes this year for the recently departed and they seem to be coming with increasing regularity. On this occasion I come to you to pay homage to the late, great Joe Cocker. Joe Cocker was not an acclaimed songwriter or a notable instrumentalist. His particular distinction was to be what, in an earlier era, was known as a song stylist—a distinctive interpreter of other peoples’ material. Cocker never had any pretentions otherwise: He referred to the process of putting his unique stamp on a song as giving it ‘the treatment.’ At its best, the Cocker ‘treatment’ was extraordinarily effective, such that his versions of certain songs—notable among them, the Beatles’ ‘A Little Help From My Friends,’ the Box Tops’ ‘The Letter,’ and Dave Mason’s ‘Feelin’ Alright’—became the definitive versions of those songs. Good though the originals may be, they all seem pale in comparison to Joe’s volcanically soulful renditions.